Tuesday, June 26, 2007

New Pornographers-or how I'm a Johnny-come-lately!



17 Seconds is kicking itself. On Sunday Morning, I went over to Song, By Toad to download his podcast, which is pretty damn good. I was blown away by the track 'New Romantic' by the New Pornographers and set about trying to find as much as I could legally.

For anyone who is even more of a Johnny-Come-Lately than me, they are an 'indie-supergroup' based in Chicago, and amongst their number are Neko Case and A.C.Newman, who I had heard of, but not really heard.

Their new album is called Challengers and will be out in August, from where 'My Rights Versus yours' comes from.

New Pornographers-'My Rights Versus Yours.' mp3

New Pornographers-'The Laws have Changed.' mp3

New Pornographers-'Mass Romantic.' mp3

New Pornographers-'Twin Cinema.' mp3

New Pornographers-'Use It.' mp3

And some of the solo stuff:

Neko Case-'Star Witness.' mp3

Neko Case-'If You Knew.' mp3

A.C. Newman-'Miracle Drug.' mp3

A.C. Newman-'Drink To me.' mp3

Official New Pornographers website here

These will be up for one week only. If yopu like what you hear, go investigate, either at Amazon or a local independent record shop.

Monday, June 25, 2007

Underrated albums #6: Boo Radleys " C'Mon Kids" (1996)



If Giant Steps was the 'hip' one, which swept the readers and critics polls in 1993, and Wake Up! the commercial one, then maybe the appearance of C'mon Kids might seem like the beginning of the Boo Radleys decline.

Yeah, right.

C'Mon Kids is actually a damn fine album, all these years later, with a return to the experimentalism that had characterised the Boo Radleys work before Wake Up! but included some damn fine songs just the same. Wake Up Boo! might have been their best remembered song, it's just that it became like 'Sit Down' and 'Wonderwall.' A crossover hot that threatened to become an albatross.

There were three UK Top. 40 hits off the album -which was considerably more than Giant Steps had done, and they were crackers. My favourite track is 'New Brighton Promenade' which I remember sticking on quite a few mix tapes for other people back in the day.

Try these singles and the aforementioned 'New Brighton Promenade' then if you like it Buy C'Mon Kids here.

Boo Radleys-'C'Mon Kids.' mp3

Boo Radleys-'What's In The Box?' mp3

Boo Radleys-'Ride The Tiger.' mp3

Boo Radleys-'New Brighton Promenade.' mp3

Sunday, June 24, 2007

A Big Thumbs Up




Well, the weather was abysmal, but when you are inside, it doesn't matter!

Yesterday was the Wedding of Liz at The Roaring Machine and Simon at Spoilt Victorian Child, so I hope they had a very happy wedding day. All the best guys.

Yesterday was also my Stag do, for my wedding to the soon to be Mrs. 17 Seconds which is a mere three weeks away. Put together by my brother, I had a fantastic day, involving food, ten pin bowling, lazerquest and stand up comedy (watching not performing). A great time was had by all, including yours truly who was only embarassed in the comedy club when I had to get up on the stage and kiss a girl from the audience (Ben, you're dead mate!) And Toad from Song, By Toad was also there, whipping everyone at lazerquest!

So thanks to everyone who came out, this is for you, and indeed anyone who enjoys great music.

Camper Van Beethoven-'Take The Skinheads Bowling.' mp3

And, all over the blogs though it is, the tracks I have heard off the Justice album are just excellent so here are two for you:

Justice-'D.A.N.C.E.' mp3

Justice-'Waters Of Nazareth.' mp3

The mp3s will be up for a week only, so get em while you can.

If you like the music, buy Camper Van Beethoven here and Justice here.

Hope you are all having a good weekend, and that the weather is less wet than it is in Scotland.

Ed

Thursday, June 21, 2007

Underrated albums #5: Kate Bush " The Dreaming" (1982)



That difficult fourth album. Just ask Radiohead (Kid A), the Smiths
(Strangeways Here We Come) or The Cure (Pornography). Actually, ask Kate Bush.

The Dreaming, Kate Bush's fourth album was released in 1982. It's fair to say that Britain had never produced a female artist like her. A truly independent artist, who grasped the power of the medium of the music video, who had studied mime and could write amazing songs. Never afraid to tackle difficult themes, including incest ('The Kick Inside) and homosexuality ('Wow' and 'Kashka from Baghdad'), and drew inspiration from unusual sources ('Infant Kiss' was inspired by The Innocents, the filmed version of The Turn Of The Screw). She also began to produce her own records. The sound of her music may have owed almost nothing to punk, but the creative spirit than continues to run through her music has much to do with the creativity, experimentalism and individuality of what has become known as post-punk.

So by 1982, the world should have been hers for the taking. What the record company were probably not expecting, as post-punk faded and the prevailing aesthetic became shiny rather than scratchy, was The Dreaming. The title track referenced aboriginal culture and featured Rolf Harris on didgeridoo. And that kind of experimentalism (or madness, as many fans and critics saw it at the time) wasn't confined to that track. The braying donkey sounds that close final track 'Get Out Of My House' seem designed to unsettle.

Yet though the album only produced one UK Top 40 hit, 'Sat In your Lap' with a seemingly demented piano riff that might have unnerved the more MOR end of her fanbase, the songs are gorgeous too. My personal favourite is 'There goes A Tenner' which bombed as a single in the UK (though reportedly a Top 10 hit in Ireland). It deserved to be a hit.

It's a cliche, but maybe the problem with The Dreaming was that it was too ahead of it's time. It's dated extremely well, and it's quirkiness is one of it's many charms. Yes, it's bonkers, but then when Bjork's bonkers it's considered cool.

The follow-up album is The Hounds Of Love, which she laboured over, concerned about what would happen if she was too bloody-minded ('Running Up That Hill' should really have been called 'A Deal With God' but her record company talked her out of it, fearing that invoking the almighty's name would mean that she wouldn;t get airplay. Kate wasn't Cliff Richard, after all!) It's the album that consolidated her as a long-term player and meant that every kate Bush album afterwards would be an event when it arrived after an everlong gestation period. But The Dreaming, comparitive commercial flop though it may have been, explains why she is so revered by so many. There's many who have been influenced by her, not just female singer-songwriters either, but male guitar bands.

And if we have to wait another decade for the next album it will be worth it.

Kate Bush-'There Goes A Tenner.' mp3

Kate Bush-'The Dreaming.' mp3

Kate Bush-'Night Of The Swallow.' mp3

Buy The Dreaming here. These mp3s will be up for one week only. If you like what you hear, go and buy it!

Wednesday, June 20, 2007

Underrated albums #4: The Cure " The Top" (1984)



By the end of 1983, The Cure seemed to have it made. After all the years of being a cult act, if a highly revered one, they had shown that they were more than a goth/raincoat band, and broken through into the charts. The two core members, Robert Smith and Lol Tolhurst, had put the sacking of bassist Simon Gallup behind them, and were having hits. Pop hits. 'The Walk' had reached no.12 and 'The Lovecats' had reached no.7. So, a pop album was to be the next thing, surely?

Surely not. If history has told us anything, it's that geniuses are anything but predictable (Who would have thought in 1975 that two years later David Bowie would have fled Los Angeles and plastic soul for Berlin and electronic music? Still if we knew the winner of the Derby in advance, we'd all be rich).

The Cure' next album The Top is arguably the nearest Robert Smith has ever come to putting out a solo album under the moniker that has served him and his merry men for thirty years. The album credits Smith as 'Instruments and voices', Lol as 'Other Instruments' and Andy Anderson on drums with Porl Thompson on saxophone. The single released from the album 'The Caterpillar' might have seemed like a logical progression from 'The Lovecats' but it's almost out of place on its' parent album.

Psychedelia is the name of the game here. Whatever drugs Mr. Smith and his merry men were ingesting -hallucinogenics, he has indicated subsequently-were giving him some bizarre visions. The album isn't as gothic as Faith or as downright terrifying as Pornography, but there must have been some innocent souls who were freaked out by what this band had done in the space of a few months.

The lyrics seem bizarre-still plenty of animals but lots of blood and paranoia. Musically this is one of the Cure's most adventurous albums. Not in terms of 'How many styles can we cram onto one album?' (see 1996's Wild Mood Swings for that), but just how way out it sounds.

This album can seem inaccessible at first hearing, and yet, like so mnay of the best albums, repeated listenings reward. There are moments of utter gorgeousness, like 'Dressing Up', though the later live version on Paris is even better. Title track and closer 'The Top' is one of the most atmospheric things The Cure ever committed to vinyl. 'Wailing Wall' can take you to that very place, truly hypnotic with the riff invading your brain.

Within a year, the Cure had changed their lineup again, and released an entire album of pop songs, the rather gorgeous The Head On the Door. That's another story, and one when The Cure were truly a band. But for sheer experimentalism, maybe The Cure, for better or worse, never sounded like they'd messed with their audiences expectations -or heads!- in this way again. Yet... : )

The Cure-'Birdmad Girl.' mp3

The Cure-'Wailing Wall.' mp3

The Cure-'Bananafishbones.' mp3

The tracks will be up for a week only. If you like what you hear, buy The Top here.

Tuesday, June 19, 2007

Slowdive


I have been discussing music with a fellow teacher a lot at work, and disocvered much in common in terms of music, particularly stuff from the pre-Britpop era. having spent today listening to Slowdive, how could I not encourage others to listen to?

The first Slowdive album Just For A Day was released in 1991, at the height of shoegazing, or as the Americans called it -'Dreampop.' This latter label seems quite appropriate when applied to this album. These two tracks are taken from there:

Slowdive-'Spanish Air.'

Slowdive-'Catch The Breeze.' mp3

1993 saw the release of Souvlaki, which suggested a bit more of a dub feel. Whilst some sections of the music press were more preoccupied with grunge (on both sides of the Atlantic), there were those who fell for the charms of its dub influences, which showed the band had built upon the success of their debut.

Slowdive-'Alison.' mp3

Slowdive-'When The Sun Hits.' mp3

By 1995, the music scene had changed drastically. Kurt Cobain had died, and Britpop held sway in the UK, not only in the 'indie/alternative' scene but in the national pop charts too. Their Wikipedia entry denies that labelmates Oasis had insisted they leave the label, but this album was released a mere week before they were dropped. a shame, because this might even be my favourite of their three albums, representing truly adventurous music that's just as out there as their (former) labelmates My Bloody Valentine had been when they released Loveless in 1991. This is ambient and dub becoming ever more important in the sound, though to be fair, the Boo Radleys -who had reinvented themselves in line with the times, had hints of it on their earlier albums.

Slowdive-'Rutti.' mp3

Slowdive-'J's Heaven.' mp3

After the release of Pygmalion, the band more evolved than split into Mojave 3, who had far more of an Americana-influenced sound and who still prosper today.

Slowdive's official website is here.

As always, the mp3s will be up for one week only. If you like what you hear, please go and buy the music, be it from Amazon, or your local indpendent retailer.

Sunday, June 17, 2007

In the morning



Finally!

After a few days of what seems like rains of Biblical proportions in Scotland over the last few days, the soon to be Mrs.17 Seconds and I woke up to find the sun shining.

How else to mark it, but...these:

Junior Boys-'In The Morning.' mp3

My Bloody Valentine-'Paint a Rainbow.' mp3

Saturday, June 16, 2007

More about Matthew Wratten

It's always nice to get feedback on this blog, and it's also always nice when you get a lot of feedback, particularly about something you might not expect to.

So, cheers for all those who wrote in about the Trembling Blue Stars post. And here, a humble offering. I only own two tracks from Matthew Wratten's previous band, the Field Mice, but I thought I would share these with you, as well as a Saint Etienne cover.

The Field Mice -'Landmark.' mp3

The Field Mice-'Let's Kiss And Make Up.' mp3

Saint Etienne-'Let's Kiss And make Up.' mp3

Buy Field Mice records here

Buy Trembling Blue Stars records here

Buy Saint Etienne records here

Have a good weekend, Ed

Thursday, June 14, 2007

Swimmer One



Hi there,
first of all, sorry to anyone who tried to download the echo and the Bunnymen mp3s unsuccessfully. No idea what was happening there, but anyway...

Here are the first two lead tracks of the two eps (so far) by Edinburgh's Swimmer One. they should have an album out sometime this year, and of you like this, they also have more music over at their MySpace and Website

Swimmer One-'We Just Make Music For Ourselves.' mp3

Swimmer One-'Come On, Let's Go!' mp3

As always, if you like what you hear, please go and buy the singles, either from their website or your local shop (record shop that is, not greengrocer).

Tuesday, June 12, 2007

Underrated albums #3: Echo and the Bunnymen " What are You Going To Do With Your Life?"



In 1997, Echo and the Bunnymen reformed, having split up almost ten years previously.

OK, maybe I should qualify that. Singer Ian McCulloch had left for a solo career in 1988, and drummer Pete de Freitas had died in a motorbike accident in 1989. The following year, an album credited to Echo and The Bunnymen (featuring vocalist Noel Burke, drummer Damon Reece and Jake Brockman on keys, as well as Les Pattinson and Will Sergeant) called Reverberation had been released. Both Colin at And before The First Kiss and Mike at Manic Pop Thrills have posted tracks from this oddity in the Bunnymen cannon in the last few months.

In 1994, Will Sergeant and Ian McCulloch reunited, as Electrafixion, before reuniing with Les to release Evergreen in 1997. Their first album in ten years as Echo and the Bunnymen, it was a huge success critically and commercially, and they were welcomed back with open arms.

Two years later, they released the follow up What Are You Going To Do With Your Life? This got some good reviews, a hit single (Rust reached no.23 in the UK), but somehow didn't connect with people the way that its predecessor had. It has not been written out of history, in the same way that Reverberation has, but seems to have slipped below the radar.

This is a shame, for it's a beautiful album, that as the iTunes review I checked a few minutes ago says, the sort of record post-punk bands should be making twenty years in. Not trading on past glories (you can imagine the record company wanting an album of 'The Cutter' and 'The Killing Moon' re-writes) nor trying to be trendy (an accusation that has been levelled at Evergreen, whihc I thinnk is a far inferior album). It is a reflective album, but no musical equivalent of an expanding waistlinie in middle-age here. It's a comparatively short album in the CD age (clocking in at 38 minutes) that reflects and accepts its' place.

It has been described as a McCulloch solo abum, somewhat unfairly. Pattinson plays on 'Fools Like Us' only (he was, perhaps understandably, more concerned with a legal battle for access to his kids). Perhaps the photos dwell on McCulloch a lot more than Segeant, but this is very much a Bunnymen record in sound. It also features the Fun Lovin' Criminals -hang on, come back- whose contributions actually add a deft touch to 'Get In The Car' and 'When It All Blows Over.'

Maybe this struck a chord, being released with just a few months to go til my first degree finished, and not entirely sure what was next. But this is an album I love. Sure it's not as good as Ocean Rain, but this deserves to be seen as more than just a footnote in the Bunnymen's nearly thirty year career.

Echo and the Bunnymen-'What are You Going To Do With Your Life?' mp3

Echo and the Bunnymen-'Rust.' mp3

I cannot see a listing for this on Amazon, but try your local record shop, and it is still available on iTunes.

Enjoy, these will be up for one week only.

Ed

for some reason, despite several attemots to relaod these, they are not coming up.

Will try and repost as soon as I can work out what the problem is.

Monday, June 11, 2007

Amplifico...more information please!!




I had intended to post a review of the gig I went to last night, which was Aberfeldy in Edinburgh. However, due to the fact that the soundchecking had taken ages along the line somewhere, the band were not on til late, which meant that I couldn't see the whole gig, so not really fair to review it here. I have now seen them eight times over the last three years, whihc is more than I've seen any other band.

No, this post is about Amplifico the fabulous support band, who absolutely blew me away. My mate Dave, who I went with, reckons that Donna the lead singer has a touch of Kate Bush about her. KT Tunstall is apparently in awe of her voice-and she's not the only one. Their set was an absolute joy from start to finish.

I'm kinda embarassed though, because I cannot write about Amplifico in as informed a way as I would like. I'm hoping they - or someone can get in touch with more information. They look very cool, and their bass player was supposedly playing his first gig with them last night, Wearing tails! and pulling it off. Their myspace says they are a three piece, though Scott seemed like very much part of the band.

I loved their sound and cannot wait to see them live again. I tried to buy some of their music today, but no-one seems to know if they've got anything out.

Anyway, here's two mp3s from their MySpace. Check them out, and go and see them live, and make friends with them at their mySpace spot.

And please, someone let me know: What do they have out? Is Scott in the band? When is their debut album actually out, and on what label?

Amplifico-'Red Song.' mp3

Amplifico-'Just To Pause This.' mp3

Who's afraid of Mark E.Smith?




*in Salford accent nuh nuh nuh, nuh nuh nuh*

er, sorry, lost myslef for a minute there. *blush*

Anyway...I was talking with a very big Fall fan the other day, who said he had heard that Mark E. Smith and Mouse On Mars had collaborated, but hadn't heard the album Tromatic Reflexxions. a couple of years ago I bought his attention to their collaboration (as Mouse on Mars featuring Mark E. Smith) on the 'Wipe That Sound' 12", and now, for the benefot of Gilmour and anyone else who may not have heard it, presenting four tracks from the Von Sudenfed album:

Von Sudenfed-'Serious Brainskin.' mp3

Von Sudenfed-'Dearest Friends.' mp3

Von Sudenfed-'Fledermaus Can't Get It.' mp3

Von Sudenfed-'That Sound Wiped.' mp3

These tracks will be up for one week only. If you like what you hear, go and buy it here or at your local independent record shop.

Friday, June 08, 2007

Some Covers For Friday Part II



No reason for the picture above this post, other than that I stuck 'Friday' in Google Image and this was the picture I liked best off the first page.

Anyway, it's the end of another long week, but I'm still alive, and still trying to organise wedding stuff with the soon-to-be Mrs. 17 Seconds.

Here are some covers for Friday. the first one I heard live a few months ago, but was brought to my attention by Liz over at the The Roaring Machine yesterday.

Camera Obscura-'Super Trouper.' mp3

Astrid Swan -'When You Were Young.' mp3

Le Tigre-'I'm So Excited.' mp3

Arcade Fire-'Maps.' mp3

CSS-'One Way Or Another.' mp3

Snow Patrol-'Crazy In Love.' mp3

Death Cab For Cutie-'World Shut Your Mouth.' mp3

Editors-'French Disko.' mp3

As always, if you like what you hear, support the artists. These links will be removed after a week.

Have a good one,

Ed

Wednesday, June 06, 2007

Abba On The Jukebox?




Many years ago, whilst driving alone at night I was listening to John Peel. And there was one of those moments, where you hear something that touches you.

And on the night in question, in 1996, April I think, it was this song by Trembling Blue Stars.

Trembling Blue Stars-'Abba On The Jukebox.' mp3

This is simply one of the most beautiful songs I have ever heard. I'm not an expert on twee-pop by any means (but try And Before The First Kiss or The Roaring Machine for people who undoubtedly are), but I know what I like and I love this.

A couple of years later I managed to pick up the album Her Handwriting
and there were a lots of brilliant songs just waiting for me there, including these two:

Trembling Blue Stars-'A Single Kiss.' mp3

Trembling Blue Stars-'Do People Ever?' mp3

Buy Her Handwriting here

And of course, how could I forget the masters of the Sad Song themselves? Sod post-modernism, camp and all the justifications, critiques and other rubbish that's lobbed in their direction, Abba really understood POP.

Abba-'The Visitors.' mp3

Buy The Visitors here

Tuesday, June 05, 2007

Underrated albums #2: Scritti Politti " Anomie & Bonhomie"



What was I listening to in 1999? Umm, it seems so long ago, and somehow I can focus far better on the stuff from the earlier years of the decade. Though ever so occasionally, I give Bellatirix and daawn of the Replicants a spin, and it reminds me of the final undergraduate year, trying to get my own band off the ground and then staying on at uni to do my Masters.

One great album from that time is Scritti Politti's Anomie and Bonhomie. At the time, this was their first album for eleven years, since Provision. The last time we had seen Green Gartside and co., it had been doing a fairly average (if we're being honest) cover of the Beatles 'She's a Woman' with Shabba Ranks in tow.

This album, however, combined a lot of what Green had clearly been listening to - Reggae, Nirvana , and lots of Hip Hop, and made an absolute gem of an album. It's a confident album, without some of the sheen which almost engulfed Provision at times. It featured contributions from Mos Def, as shown on the single, 'Tinseltown To the Boogiedown.' Opener 'Umm' also managed to start off almost fluffy, before taking in rock -when had we ever heard Scritti rock before -and hip hop, all within the space of four minutes and fourteen seconds. Granted 'First Goodbye' shows off Green's amazing voice but is a bit like Westlife-type ballad (who I wasn't listening to in 1999, at least not out of choice). The voice is still supreme and you got the feeling that this was a record that he wanted to make.

It was great to see Green put out another labum last year, White Bread Black Beer, back on his original home of Rough Trade, touring for the first time in 26 years, and getting press coverage. Whilst 1982's debut Songs To Remember has had a lot of publicity again in recent years, as the post-punk revival continues, this is my favourite Scritti album in many ways. Let these three tracks whet your appetite.

Scritti Politti-'Umm.' mp3

Scritti Politti-'Tinseltown to the Boogiedown.' mp3

Scritti Politti-'The World You Understand (Is Over and Over and Over).' mp3

Buy Anomie and Bonhomie here for less than a fiver.

Sunday, June 03, 2007

Underrated albums #1: New Model Army "Thunder and Consolation"


A new series at 17 Seconds

History is full of those bands who are presented, by a sometimes revisionist music industry and journalism, as being little more than footnotes. Many bands may not often grace front covers or have their records played on mainstream radio, yet can fill massive gig venues, and, most crucially, have a loyal fan base that will stay with them for years (as opposed to, say, the teen market, which can turn on their heroes as quickly as each other in the playground).

One band who this definitely applies to is New Model Army. Sneered at, seemingly largely for failing to come from London and the fact that some of their followers may have worn clogs, New Model Army formed in 1980, around the nucleus of Justin Sullivan, who still leads the band today. their sound genuinely incorporated many diffrenet styles (as opposed to those who cliamed to whilst ripping off the same sources). Their debut album, Vengeance, was released in 1984. They signed to EMI for their second album No Rest For The Wicked, for which other 'alternative' bands attacked them, including Chumbawumba*. They made it onto 'Top Of The Pops' to play the album's title track, (in)famously sporting t-shirts bearing the legend 'Only Stupid Bastards Take Heroin' with the word'bastards' taped over. The following year's The Ghost Of Cain, was their best yet, with a continuation of their fantatsic songs of urban life. Opener 'The Hunt' was later covered by Sepultura.

But it was 1989's Thunder and Consolation that showed the group had hit new heights. As well as their post-punk sound, the album also featured the violin of Ed Elain Johnson, adding a folky approach. The pinnacle of the album is 'Green and Grey' which deals with the claustrophobia of the small northern towns in England, where unprovoked violence can erupt at any moment, those who escape it for the rbight lights of the city, and those they leave behind:

GREEN AND GREY
(Heaton/Sullivan) 1987

The time I think most clearly, the time I drift away
Is on the bus-ride that meanders up these valleys of green and grey
I get to think about what might have been and what may yet come true
And I get to pass a rainy mile thinking of you
And all the while, all the while, I still hear that call
To the land of gold and poison that beckons to us all
Nothing changes here very much, I guess you'd say it never will
The pubs are all full on Friday nights and things get started still
We spent hours last week with Billy boy, bleeding, yeah queuing in Casualty
Staring at those posters we used to laugh at:
Never Never Land, palm trees by the sea
Well there was no need for those guys to hurt him so bad
When all they had to do was knock him down
But no one asks to many questions like that since you left this town

Ch: And tomorrow brings another train
Another young brave steals away
But you're the one I remember
From these valleys of green and the grey

You used to talk about winners and losers all the time - as if that was all there was
As if we were not of the same blood family, as if we live by different laws
Do you owe so much less to these rain swept hills than you owe to your good self?
Is it true that the world has always got to be something
That seems to happen somewhere else?
For God's sake don't you realise that I still hear that call
Do you think you're so brave just to go running to that which beckons to us all?

Ch: No, not for one second did you look behind you
As you were walking away
Never once did you wish any of us well
Those who had chosen to stay
And if that's what it takes to make it
In the place that you live today
Then I guess you'll never read these letters that I send
From the valleys of the green and the grey

Published by Attack Attack Music/Warner Chappell Music Ltd

This album is, frankly, an underrated classic. New Model Army continue to record and tour, and have a very committed folllowing over the world, even if the music press in the UK either sneered or ignored them altogether. They have relased nine studio albums as well as live albums and compilations. Their webpage can fill in more info.

This album can be bought here. For your listening pleasure, try these for starters:

New Model Army -'Green and Grey.' mp3

New Model Army -'225.' mp3

New Model Army -'Vagabonds.' mp3

* During a conversation with Joolz Denby in 2001 (-Justin Sullivan's partner, who also has been responsible for the groups art work, as well as amassing a fantastic career of her own. See www.joolz-denby.co.uk for more information about her own very varied and fascinating career), she told me that Chumbawumba's alice Nutter had, in fact, apologised to Justin in person for her earlier attacks. Chumbawumba later themselves signed to EMI.

Saturday, June 02, 2007

Some Covers For Saturday



Hello again.

Had a few computer problems that are now fixed, so here are some covers for Saturday.

This year, as well as being the thirtieth anniversary of the first Sex Pistols and Clash albums (alright, smarty pants; so the Sex Pistols only released one album proper but you know what I meant), is also the anniversary of David Bowie's most productive year, when he relased his own Low and Heroes, as well as his important contributions to Iggy Pop's The Idiot and Lust For Life. However, that will have to be a post for a future, er, post. Here are three covers that should be heard, taken from a freebie CD with Uncut four years ago.
The Langley Schools Music Project take on 'Space Oddity' is chilling, in a nice sort of way, the Black Box Recorder version of 'Rock 'n' Roll Suicide' is definitely made their own, and the associates 'Boys Keep Swinging' was famously released - as their debut single - mere months after Bowie's original came out in 1979.

Associates-'Boys Keep Swinging (David Bowie cover).' mp3

Langley Schools Music Project-'Space Oddity (David Bowie cover).' mp3

Black Box Recorder -'Rock 'n' Roll Suicide (David Bowie cover).' mp3

This was recorded live at the Reading Festival when the White Stripes had to pull out at short notice. Black Rebel Motorcycle Club do this fantastically.

Black Rebel Motorcycle Club -'The Hardest Button To Button (White Stripes cover).' mp3

This cover was originally recorded, I believe for a compilation intended to promote peace in Northern ireland called Peace Together (and if anyone has mp3s of Therapy? doing 'Invisible Sun' and Pop Will Eat Itself doing 'Games Without Frontiers' please get in touch).

My Bloody Valentine -'We Have All The Time In The World (Louis Armstrong cover).' mp3

Finally, it was a hit, easily obtainable, but what a joy to hear!

Futureheads-'The Hounds Of Love (Kate Bush cover).' mp3

Okay, you know the drill. these will be up here for a week only. If you like what you hear, support the artists involved.

Tuesday, May 29, 2007

The Thrushes: Songs to blow your mind




OK, I'm going to throw caution to the winds, risk laughter and ridicule (hey, I teach teenagers, I'm used to it), and just tell you: you have to hear the Thrushes. On the basis of the three tracks posted on their website, and which I have posted here, this could be one of the greatest and biggest bands you will hear this year.

What is it like to listen to the Thrushes? To fall in love at first hearing and to have to go back and play them again immediately. To feel that the Jesus and Mary Chain, and the best shoegazing records you ever heard -Ride's Nowehere, My Bloody Valentine's Loveless, Lush's Spooky, brought together with the wonder of Mogwai's 'Mogwai Fear Satan' in the space of four minute songs. Not only is this a band to fall in love to, they're a band to fall in love with. To rave about, and not care if people sneer at you for it. They would have been granted a Peel session if only he were still alive.

I can't really say much more. But go and investigate. Their album Sun Come Undone is out in the US, available through iTunes and getting a proper European release on June 11. Their official website is here and their mySpace is here. For another post about the band, visit Colin's post on them at And Before The First Kiss.

Thrushes-'Aidan Quinn.' mp3

Thrushes-'Heartbeats.' mp3

Thrushes-'Wake Up.' mp3

Sunday, May 27, 2007

Six seminal sounds




It's been a good weekend, and I've got lots of stuff done.

However, I figured it was time for something a bit different on this blog.

Adapted from a couple of CD-Rs that I made up a couple of years ago, Seminal Sounds CD-R 1 and er, Seminal Sounds CD-R 2, here are six tracks that I figure did a hell of a lot to change the face of music.

A Guy Called Gerald -'Voodoo Ray.' mp3

The Human League -'Being Boiled.' mp3

BBC Radiophonic Workshop -'Doctor Who(Original Theme).' mp3

Missy Elliott-'Get Ur Freak On.' mp3

Aphex Twin-'Windowlicker.' mp3

Billie Holiday-'Strange Fruit.' mp3

I shouldn't need to post long justifications about these. Let's just say, the first three tracks are milestones for electronic music, the Human League being one of the coldest things I have ever heard, whilst -in a completely different way, the Doctor Who theme is one of the warmest. Missy Elliott and Aphex Twin uped the ante, and deservedly got NME writers singles of the year for their tracks, whilst the Billie Holiday is haunting beyond belief, in a way that leaves Suicide, Nico and The Doors way, way behind.

If you like what you hear -and I believe you should -go check them out, via Amazon or iTunes, or better still, an independent shop.

These mp3s will be up for a week. Enjoy.

Saturday, May 26, 2007

And now...for some GOTH


For some reason, 'Goth' still seems to unnerve some people. This says more about them than it does about Goth music and Goth culture itself. It continues to throw up great bands and songs (and some dreadful ones too!), as well as debates as to who was goth or not. (siouxsie claiming she wasn't is a bit laughable).

Anyway, as an eighties-style goth (on occasion!) here are three cover versions done by goth bands, and three cover versions of some goth staples. Enjoy. As always, these will be up for a week, so enjoy them, and if you like them, go to Amazon or iTunes and buy them.

Sisters Of Mercy-'Gimme Shelter (Rolling Stones cover).mp3'

Bauhaus-'Ziggy Stardust(David Bowie cover).' mp3

Echo and the Bunnymen-'People Are Strange(Doors cover).' mp3

Calexico-'Love Will Tear Us Apart (Joy Division cover).' mp3

Lambchop-'This Corrosion (Sisters Of Mercy cover).' mp3

The Distants-'She Sells Sanctuary(Cult cover).' mp3

Friday, May 25, 2007

Bank Holiday



Hope everyone has a good bank holiday weekend. The weather has even been nice in Scotland, but it's rumoured that it's set to change.

With that cheery thought, here's a song for that most British of pastimes:

Red Lorry Yellow Lorry -'Talk About The weather.' mp3

Wednesday, May 23, 2007

Aaargh...very tired.



My brain is in meltdown. It has been a very long day, and I feel like there is way too much to do.

As ever, it is the music that is keeping me sane. This isn't going to be a long post tonight. Just to say that these three tracks are from Richard Thompson's 1991 album,
Rumor and Sigh. It's great and you need to own it. These three tracks ought to convince you.

Richard Thompson-'I Feel So Good.' mp3

Richard Thomspon-'1952 Vincent Black Lightning.' mp3

Richard Thompson-'Don't Sit On My Jimmy Shands.' mp3

Buy Rumor and Sigh

Tuesday, May 22, 2007

Great compilations #1: Rough Trade Post-Punk Vol 01




The legendary Rough Trade Shops in London have also put out some amazing compilations over the last few years. In 2003, this was one of them. The album was a mixture of acts from the 'first' wave of 'Post-Punk', such as Public Image Limited, Essential Logic and Magazine, as well as acts from more recent times, whose sound owes a lot to post-punk, such as Chicks On Speed, The Futureheads and The Rapture.

It's disc #1 I'd like to present some choice cuts from today.

First up, Ari Up from The Slits features on the New Age Steppers version of the Junior Byles reggae classic.

New Age Steppers-'Fade Away (Junior Byles cover).' mp3

Kleenex hailed from Switzerland, but legal action from the tissue makers forced them to change their name to Liliput. This trak shows just how cool whistling is.

Liliput -'Die Matrosen.' mp3

Chicks On Speed later covered this number from Leeds' Delta 5. a song that makes you sit up straight, apologise for mumbling and stutter apologetically (wonder of I can find a way to teach some of my students to do this?)

Delta 5-'Mind Your Own Business.' mp3

I don't know how many other songs have been written about the police harassment of prostitutes (there is a comments box if you know about them, and no, 'She Works Hard For The Money' does not count). The Au Pairs are one of mnay of the first wave of post-punk bands I wish I had seen (mind you, given that I was only four when this came out. Ah well...)

The Au Pairs -'You.' mp3

if you like what you hear, please buy the album and investigate what you hear.

Monday, May 21, 2007

Wedding Present


...Just as a wee welcome from me to Liz over at the Roaring machine, a few Wedding Present tracks.

My two favourite Weddoes songs, and a cover version they did.

Wedding Present -'My Favourite Dress.' mp3

Wedding Present -'Montreal.' mp3

Wedding Present -'Make Me Smile (Come Up And See Me).' mp3

buy The wedding Present on Amazon. You really ought to.

Gig review: The Waterboys/Haight-Ashbury


Gig review: The Waterboys/Haight-Ashbury

Festival Theatre, Edinburgh, May 20 2007

I've waited bloody years to see The Waterboys. Since I first heard 'The Whole Of the Moon' and bought Fisherman's Blues. Blown away by what I heard. Were they folk? Were they rock? Scottish? English? Irish...or had they relocated to the USA? Were they no more?

Well, The Waterboys are alive and kicking, as the soon to be Mrs. 17 seconds and I found out last night. Whilst the Festival Theatre is a seated venue - which means that if someone dances, they're getting in your way- Mike Scott and his merry men brought the place alive, so far away from the staid impression you might have walking in.

Support Act Haight-Astbury are a Glasgow three-piece who were personally handpicked by Mike Scott to support them on this tour. The two female singers' harmonies owe much to the west coast of the US, rather like their name suggests, but there are a lot of Scottish influences here as well. Songs like 'Angels and Devils,' 'Free Love' and 'My Friend The Blues' suggest a 21st century Bangles playing with Sons and Daughters. Their myspace page has four tracks. Isuggest you hear them and go and see them when you get the chance.

Is Mike Scott the Waterboys? It's hard to imagine one without the other, though he made a few albums under his own name in the 1990s. but joining him tonight is longtime foil, Steve Wickham, on violin and mandolin, the man who played electric violin on U2's 'Sunday Bloody Sunday' but also who really brought alive the seminal Waterboys' album Fisherman's Blues in 1988. When they tear into 'Glastonbury song' - as their opening number, dammit (I thought a song like that would be saved for the encore), it's abundantly clear why. Because they can. Because there are so many great songs in the Waterboys' cannon.

Scott comes across as being very comfortable on stage, a man who knows his craft, is at ease, but also doesn't take himself too seriously. The anecdotes, about the bands he's seen (I am fairly distrustful of progressive rock, as I feel that punk came to save us from it), and if Emerson Lake and Palmer were the first band he saw live, well, maybe he learned part of his craft from them. Though it seems pretty God-given. There aren't many musicians who can talk about their spirituality without seeming phoney, but during 'Iona' he talks about the experience that led to him writing the song and it's so clear he talks from the heart.

Sometimes having heard songs on record (or whatever pre-recorded format you fancy in this day and age), the question is: 'How will that be recreated live? Will it work? (Or should you use bloody backing tapes for certain parts? Bad idea, in my opinion).' Two songs from the gig pinpoint what can happen. 'The Whole Of the Moon', the biggest hit the Waterboys ever had, is made by Roddy Lorimer's trumpet (and if you haven't heard tht trumpet on 'Don't Bang The Drum' you are depriving yourself). There is no Roddy tonight, and the trumpet is synthesised. It works, but somehow, whilst the groove Mike Scott requests is there, it isn't quuite as moving. On the other hand, 'The Stolen Child,' the setting of the W.B. Yeat's poem that appears on the Fisherman's Blues album, has Scott reading. This has my hairs standing on end. It is absolutely lovely (I knew a relationship at university wouldn't work out when the girl said she couldn't see what appealed to me about the track). It's also a hair standing up moment during 'Red Army Blues' (currently posted by Mr. Toad at Song, By Toad.

For me, it's the joy of hearing 'Medicine Bow' and 'The Pan Within' that I shall most treasure from this gig. Sheer, utter, unadulterated joy. Words cannot describe it, suffice to say it was wonderful and moving. Worth waiting sixteen years for, but I hope to see them again soon.

Sunday, May 20, 2007

The Penny Blacks



The Penny Black was the world's first stamp (used to collect stamps as a kid, though never had one), and is also the name of a pub in my adopted hometown of Edinburgh (have never been, hear good things about it). The Penny Blacks are an unsigned band from Edinburgh.

I have to be honest, I've never heard them live, but the four songs on their MySpace page just have to be heard. These four tracks deserve to be heard by as many people as possible. They often play in Scotland (I'll just have to try harder), and if they aren't signed soon, then it's a bloody travesty. I hear echoes of so many classic bands in their sound, and thier sound is fresh and young, whilst acknowledging their influences. If you got a thrill the first time you heard the Arctic Monkeys, the Libertines and their ilk, then the Penny Blacks should be added to that list a.s.a.p.

The Penny Blacks -'Bang To Rites.' mp3

The Penny Blacks -'Sunday Afternoon.' mp3

The Penny Blacks-'Something Between them.' mp3

The Penny Blacks-Bonnington.' mp3

Check these songs out -then go over to their MySpace page and make friends with them.

Some Covers For Sunday



It's Sunday - and time for some more covers!

First up, these three came with a free CD with Q magazine last year. The Futureheads track was recorded exclusively for Q; the Camera Obscura and Placebo tracks had been available commercially. Try ebay or iTunes.

Camera Obscura -'Modern Girl (Sheena Easton cover).' mp3

Placebo -'Running Up That Hill (Kate Bush cover).' mp3

The Futureheads -'Let's Dance (David Bowie cover).' mp3

These next three tracks all appear on a compilation called 'If I Were A Carpenter' whihc was a tribute album, not to Tim Hardin but to The Carpenters. These are my favourite three tracks off the album.

Sonic Youth -'Superstar (Carpenters cover).' mp3

Shonen Knife -'Top Of The World (Carpenters cover).' mp3

Bettie Serveert -'For All We Know (Carpenters cover).' mp3

This track appears on the Raincoats' debut album, the sleevenotes for which were written by none other than Kurt Cobain. It also later turned up on the rather fine Rough Trade Shops Post-Punk 1 compilation. On the latter album, the sleevenotes (this time not by Kurt Cobain) note that one of the 100% endearing things about this version of The Kinks' classic is that it sounds like it is about to fall apart any second.

The Raincoats -'Lola (Kinks cover).' mp3

Finally, this cover of Gerry Rafferty's most famous song (though Stuck In The Middle With You probably is very close, thanks to its inclusion in Reservoir Dogs) was originally recorded for a compilation for EMI, and then turned up as one of the extra tracks on the 'My Hero' CD single.

Foo Fighters -'Baker Street (Gerry Rafferty cover).' mp3

Links removed May 27, 2007

Friday, May 18, 2007

Some Covers For Friday




Now that I have finally got the hang of how to get stuff from CD converted into mp3 (like everything; easy WHEN you know how!), I thought I would delve through my CD singles (I couldn't bring myself to get rid of any more, even though I don't play them very often) and post some covers. In the world of the mp3 blogs it seems that people often stick covers up on the weekend. Well, no time like the present.

Please note: all the singles I refer to here are the UK releases. If iTunes cannot help you, try ebay

This track was originally on the 'Carnival' single in 1995. Whilst some of their later releases could be rockier, does anyone else think The Cardigans sounded quite 'twee' circa the Life album? Check that name for starters. Though not many twee indiepop bands tended to cover Ozzy Osbourne. As far as I know.

Cardigans - 'Mr. Crowley (Ozzy Osbourne cover).' mp3

This track was originally recorded for the Leonard Cohen tribute album I'm Your Fan (ouch!), and also turned up on the CD single to 'Drive' in 1992.

REM -'First We Take Manhattan (Leonard Cohen cover).' mp3

This track was on the 'Kowalski' single in 1997, a cover of the track from the Clash's Combat Rock album.

Primal Scream -'Know Your Rights (Clash cover).' mp3

I cannot say I was ever a huge Robert Palmer fan, and the album this song originally was on, Clues, did little to alter that. This track, though, is a classic and was used for numerous years to advertise Vauxhall cars in the UK (Opel to any any European readers). Placebo's cover appeared on one of the CD singles of 'Taste In Men.'

Placebo -'Johnny And Mary (Robert Palmer cover).' mp3

John Lennon's anti-war activities unnerved Richard Nixon. Rather like upsetting the Daily Mail (a UK newspaper that is just poison on paper and reminds you of the downsides of free speech) this is probably A GOOD THING. This cover, by Mercury Rev, appeared on the re-issue of 'Goddess on A Hiway' in 1999.

Mercury Rev-'I Don't Want To Be A Soldier (John Lennon cover).' mp3

I was really tempted to post Johnny Cash's version of 'Hurt,' because it is so good, but then it occured to me that the song has been posted a hell of a lot. So, why not post his cover of Glen Campbell's 'Wichita Lineman,' which was recorded for American IV: The Man Comes Around, but is only on the vinyl version of the album and the 'Hurt/Personal Jesus' CD single.

Johnny Cash -'Wichita Lineman (Glen Campbell cover).' mp3

Gang Of Four's Entertainment! has really come back into vogue with all those bands showing 'post-punk' influences. Apparently not a single, but this was covered by Idlewild on their 'Live In A Hiding Place' single.

Idlewild -'I Found That Essence Rare (Gang Of Four cover).' mp3

Michael Jackson, whatever the problems he has had (and I really can't be bothered to go into it all here), has been responsible for some fantastic music. Ian Brown is a man who knows this, and told us via his 'Dolphins Were Monkeys' single.

Ian Brown -'Dolphins Were Monkeys (Michael Jackson cover).' mp3

One of my claims to fame is that in 1991, I was in the audience at the Smash Hits Poll Winners Party when Philip Schofield took the mick out of Carter the Unstoppable Sex Machine for their name - and guitarist Fruitbat decked him. On Live Television. Considering what a 'family-orientated' show it was (Salt 'n' Pepa couldn't perform
' Let's Talk About Sex' because it mentioned sex, and performed a far inferior tune instead), Carter were performing 'After The Watershed,' which dealt with the issue of child abuse. The single contained their cover of the Inspiral Carpets 'This Is How It Feels', and my brother and I have always felt it superior. My brother recently got the chance to meet Jim Bob, the other Carter guy, who is by all accounts, a thoroughly decent bloke.

Carter USM -'This Is How It Feels (Inspiral Carpets cover).' mp3

Teenage Fanclub. A legendary Scottish band who covered a Bevis Frond song and according to Nick Salmond of the Frond, earned him more money than anything else. BMX Bandits. A legendary Scottish band who covered a Teenage Fanclub song which featured a Kylie lookalike in the video. Singer Duglas T. Stewart once (*allegedly) tried to copy the K Foundation by burning all the profits from his career on the radio. Predictably, the 50p piece failed to catch alight.

BMX Bandits -'Kylie's Got A Crush On Us (Teenage Fanclub cover).' mp3

OK, you should know the drill by now. These covers will be up here for one week only. If you like them, support the artists involved, and with covers, make sure you also investigate the original if you haven't already.

Have a good one, Ed x

Thursday, May 17, 2007

150th post!



Hi there.

well, it's continuing to be a journey as I get my head around the technology, but I thought I would give you ten great tracks from five great bands, to celebrate my 150th post here at 17 Seconds.

First of all, what better way to start than the song that gave this blog its title and the first hit for my favourite ever group The Cure

The Cure-'Seventeen Seconds.' mp3

The Cure-'A Forest.' mp3

Buy Seventeen Seconds here

Next up, rumours have been flying across the blogs that these guys might reform. Having missed them thr first time round, it would be kinda cool... The first track is from their debut ep Ride, and the second is from their debut album Nowhere. The coda on Vapour Trail is just gorgeous.

Ride-'Drive Blind.' mp3

Ride-'Vapour Trail.' mp3

Buy OX4-the Best Of Ride here

These guys have gone from squat punks to post-punk visionaries to new pop to hip-hop to...still bloody amazing. This is their first single, from 1978 and their excellent 1981 single, which features the keyboards of one Robert Wyatt. bear in mind, if you haven't heard any Scritti pre-'Wood Beez' you may be takken aback.

Scritti Politti -'Skank Bloc Bologna.' mp3

Scritti Politti-'The 'Sweetest Girl.'.' mp3

Buy Early by Scritti Politti here

You can never have too much Scottish indie (certainly not as far as this block's concerned!), so the next brace is the first two Orange Juice singles, released on the seminal Postcard label:

Orange Juice-'Falling And Laughing.' mp3

Orange Juice-'Blue Boy.' mp3

buy The Glasgow School here

Finally, one recent purchase was the first two, re-issued Ian McCulloch albums, now re-issued on CD with bonus tracks. The first track here is the album Candleland's first single, and the second is a re-recording featuring none other than Elizabeth Fraser of the Cocteau Twins. Enjoy!

Ian McCulloch-'Proud To Fall.' mp3

Ian McCulloch featuring Elizabeth Fraser -'Candleland (The Second Coming).' mp3

Buy Candleland here

As always, support the artists involved. These links will be up for one week only. Cake, anyone?

Wednesday, May 16, 2007

Katie Sutherland - SIGN HER NOW!



Two days ago, I went to watch Emma Pollock, and came away not only utterly blown away by her, but also by one of her supports: Katie Sutherland (see yesterday's post).

I have been sent two of her songs as mp3s, which I will post here.

Katie Sutherland-'Because I Do.' mp3

Katie Sutherland -'The Roses.' mp3

What can I say? The voice grabs you first, the tunes gently take hold of you and when they've got you captive it's the sweetest feeling, as you sing along and wonder why you don't hear these lass singing out of your radio. If I have anything to do with it - and I'm just a humble blogger in Scotland - but if I can do my bit to raise her profile, I'm going to try.

Pop along to her MySpace site and make friends, if you haven't already, here

Feedback will, of course, be appreciated!

Tuesday, May 15, 2007

Gig review: Emma Pollock/Popup/Katie Sutherland



Gig Review: Emma Pollock/Popup/Katie Sutherland

Cabaret Voltaire, Edinburgh

May 14, 2007

It had been a somewhat trying day at school (I teach some of my most, uh, 'challenging' classes on a Monday) and one of the things that was getting me through was the thought of going to see Ms. Pollock. I was certainly not disappointed.

The first act of the evening was 19 year old Katie Sutherland. I've commented before on this, but sometimes you see Singer-Songwriters appearing solo as the support act to a crowd who ignore them. Ms. Sutherland managed to shush everyone very quickly. Perfectly content to sing in her natural accent, the warmth won us all over so quickly with her own songs like 'Lower Ground' and 'Because I Do.' There's an endearing honesty but without the painful over-earnestness that renders so many singer-songwriters of both sexes as just one of the crowd. Katie Sutherland is an original. Her voice blew me, and indeed the soon-to-be Mrs. 17 Seconds away. She's just about to take a break from university for a few years to try and make a career in music, which she plays a snog 'Mr. Lecturer' about. I catch a brief word with her afterwards, and she's a lovely person who should be giving Isobel Campbell and KT Tunstall a run for their money very, very soon, if there's any justice. She's currently unsigned but please, please, PLEASE go to her MySpace, hear her songs, make friends with her -and if you live in Scotland, go and see her.

Blown away as I am by Katie Sutherland, Popup were going to have a lot to live up to. Singer Michale Cross has got a wonderfully thick scottish accent (put it this way - and this is meant as a compliment - he makes Aidan Moffat sound like he speaks with a 'received pronounciation' accent). Musically, it's harder to place them - at first, I think they're going to be like Arab Strap...then discover I've been led astray by his vocals, and they are nothing like that. They go down a rocky avenue that I find hard to get into, but towards the end of their set, when I'm finding i could grow to love thme after all, the reference that springs to mind is the wedding Present.

[Please note, in an attempt to allow her to move on, I will not mention Emma Pollock's former band. This is no mean feat, given that they are my favourite scottish band ever.]

Emma Pollock wanders on, looking wonderfully relaxed. The ten song set she plays, to a welcoming crowd, takes no songs from her former band, and instead I find very, very quickly that I cannot wait for September and her debut Watch The Fireworks. This is coming out on 4AD, and watching her, I am reminded, yet again, that Emma Pollock is every bit as much an icon as many of those who appeared on that label - Kristin Hersh, Tanya Donelly, Kim Deal et al.. The songs have a lot of piano influence on them, but Pollock's guitar playing is just as assured. She does 'Limbs' with just her and the pianist, and it's gorgeous. future single 'Paper and Glue' and current single 'Adrenaline' should be there in those end of year polls. Like, at the top of them, not no. 23 or whatever.

The scottish indie scene has a reputation for being shambolic. Yet Emma Pollock makes light of any moments - I have seen artists of far less stuature go ballistic over the slightest thing, yet she's not bothered by the roadie who didn;t leave her any plectrums. She has a great repartee that makes us all laugh, talking about how they drove up to do a gig in Aberdeen on Saturday, only to discover the venue was closed.

She encored with 'The Optimist', and it's clear just how brilliant the album should be, and just how damn fine a live act she remains. 'That was amazing,' whispers the soon-to-be Mrs. 17 seconods, as we head out the door. It was. come back to edinburgh soon, please.

Emma Pollock's single Adrenaline can be downloaded from iTunes now, and will be out on 7" next week (UK anyway).

For now, try this:

Emma Pollock -'Limbs.' mp3

Read the Edinburgh Evening News' review here, if you're interested

Sunday, May 13, 2007

Longest Mile Records

Hi there, it's been a busy few days, and I was down south this weekend in the old country (AKA England) at the wedding of a mate, so it's been quiet on the blog front, as well as being busy blah blah blah.

Anyway.

I'd like to direct readers in the direction of Longest Mile Records, run by Ross from the Futureheads. The two bands currently signed to this rather fine label, Chester-Le-Street's Catweasels and British Columbians the Paper Cranes sound nothing like the Futureheads - who I like very much - and are worth checking out. Definitely for fans of the Arcade Fire and old school indie sounds, amongst others.

The Longest Mile Myspace site has two tracks apiece, and they also have their own MySpace pages, with more wonderful sounds. There are limited edition 7"s `out there, and mp3s can be bought from iTunes and other places. pop over to MySpace and say hi, make friends with all three of them (or four, if you're not already friends with the Futureheads), then let them into your worlds.

BTW, very glad Morning Bride have proved such a hit with readers. That's what i'm here for : )

The Paper Cranes' MySpace page

The Catweasels' MySpace page

The Longest Mile Records' MySpace page

Wednesday, May 09, 2007

Morning Bride




No, not yet another reference to the soon to be Mrs. 17 seconds, but rather, a rather fantastic band called Morning Bride that I got a reminder of via MySpace this morning. They are giving their new single Replica away free, so here it is, along with the previous 'free' single from their album, Lea Valley Delta Blues. This is just...lovely. Couldn't get the 'cello riff out of my head as I headed off to work.

Morning Bride -'Replica.' mp3

Morning Bride -'Time delay.' mp3
Their myspace site is here and their record company, Letterbox Records' site is here, including the shop.

Enjoy! And as always, support the artists!

Tuesday, May 08, 2007

Three more for you! (part three)

Ok, not a long post as I am shattered, if pleasantly so.

Basically, just three tracks I really like at the moment. These can all be found on iTunes or try Amazon:

First up: So, it got to No.1. So, it features Nelly furtado and Justin Timbalake. And? Your point is...?

Timbaland-Give It To Me.' mp3

this is gorgeous- and it came out on yummy 10" vinyl. If you choose to buy it onvinyl instead of CD or download, more power to you. The cassette may be officially dead, but vinyl is still there. Yeah...oh, and Manic Pop Thrills were bigging this up as well.

iLIKETRAINS-'Spencer Perceval.' mp3

Finally, 'cos demented is how I feel...presenting: Battles (not to be confulsed with Battle, who are also very good, but different)

Battles-'Atlas.' mp3

As ever, support the artists, if you like the music, go and buy it.

Hugs XX

Monday, May 07, 2007

Hooray! It's a holi, holi-day

worry not.

I have not resorted to posting crappy, cheesy songs on this blog in order to get more hits.

But today is a Bank Holiday, meaning it has been a wonderful, stress-free day, instead of my most difficult classes.

I thought this summed it up pretty well...

Love Is All-'Busy Doing Nothing.' mp3

And seeing as it's a long weekend, and the nineties revival cannot be far away, presenting in its entirety

Flowered up-'Weekender.' mp3

A couple of Copies of the Flowered Up track are available to buy on 12" vinyl here, while the Love Is All track can be found on its parent album availablehere. Have a good one!

Sunday, May 06, 2007

Happy Birthday to the soon to be Mrs. 17 Seconds

This post is dedicated to the soon to be Mrs. 17 Seconds to wish her a very happy Birthday.

These tracks are posted as a mixture of stuff she loves, likes and has seen at gigs with me (in a few cases). Thanks for coming to the gigs, hon, and here's to many more.

XX

Mika-'Relax, Take It Easy.' mp3

The Magic Numbers-'Forever Lost.' mp3

Pet Shop Boys -'Domino Dancing.' mp3

Micah P. Hinson -'The Leading Guy.' mp3

James Yorkston and the Athletes -'St. Patrick.' mp3

Gnarls Barkley-'Crazy.' mp3

The Fratellis-'Chelsea Dagger.' mp3

Editors-'Munich.' mp3

Idlewild -'No Emotion.' mp3

The Shins -'Phantom Limb' mp3

Amy Winehouse -'Back To Black.' mp3

Half Man Half Biscuit -'Joy Division Oven Gloves.' mp3

St. Jude's Infirmary-'The Church Of John Coltrane.' mp3

The Spinto Band -'Oh Mandy.' mp3

Hope everyone else enjoys these too. They will be up here, via Fileden, for one week only. If you like them, as ever, support the artists involved, eitehr by buying them from iTunes or Amazon, or even better, your local independent record shop.

Saturday, May 05, 2007

Davey Henderson


I thought today, given that it has been a very quiet week on this blog, I would highlight the work of one Davey Henderson, a man who has been responsible for some of the most fantastic scottish acts over the last thirty years, with the Fire Engines (pic above), Win and then Nectarine No.9.. I'm not authority on the man, but the music speaks for itself, so go and check it out if you like these:

I finally saw a reformed Fire Engines on Decemebr 30, 2004 when they reformed and headlined a gig that was supported by Sons and Daughters and Aberfeldy. Fire Engines have been held up as a major influence on Franz Ferdinand, who clearly owe them a large debt. They also gave the name to the Candyskins, who called themselves after this track:

The Fire Engines-'Candyskin.' mp3

After the Fire Engines split, Henderson formed Win.These mp3s were posted a few months ago by JC over at The Vinyl Villain (this is meant to be flattery, JC) here are both 7" and 12" versions of 'You've Got The Power.'

Win -'You've Got The Power.' mp3

Win -'You've Got The Power 12".' mp3

Davey Henderson then led Nectarine No.9:

Nectarine No.9 -'Constellations Of a Vanity.' mp3

Nectarine No.9 -'Susan Identifier.' mp3

a few weeks ago, I picked up a 7" by Mr. Henderson, this time fronting a band called the Sexual Objects, which is out on Creeping Bent, so track it down.

As always, these mp3s will be up for a week. if you like what you hear here, go to Amazon or any music shop and support the artist.

Thursday, May 03, 2007

To all readers...

...but especially in the UK, make sure you vote today. Seriously. It's been too hard to get this right, so don't waste it.

Sorry to regular readers, it has been afrantically bsuy week, and I've not had chance to blog properly.

Hope you are all well, and I will be back tomorrow.

X

Monday, April 30, 2007

Gig review: The Pastels/Electrelane/The Royal We

Gig Review: The Pastels/Electrelane/The Royal We

The Bongo Club, Edinburgh, April 29, 2007

And so...Triptych, the annual Scottish five day event that brings great music from around the world and celebrates the homegrown variety in Scotland's principal cities draws to a close. A night of three bands at the small but delightful Bongo Club (which has some damn fine programming).

First up, the Royal We, who look almost as young as some of the kids I teach. They seem a little awkward, but they short but sweet set wins me over. their singer is like Siouxsie Sioux's delightfully demenetd niece, and the band look like the archetypal scots indie twee kids (that's meant as a compliment. Hey, we're at the Pastels' gig). 'Three is a crowd' sounds great, Is This Music? have covered them, so let's hope they are getting more ocverage very soon.

Electrelane have just put out their rather fab no Shouts, No Calls (go, buy it. Now) album - hopefully will post a review here in the next day or so. They are a revelation live. I have never seen them live before but I would drive a long way to see them. They remind me of a more Germanic Stereolab, though the sheer attitude is unbelievable. Not in a riot grrl sense, but the utter subversion of what music sometimes expects of women. I swear I sore the ghost of nico look down from her great opium den in the sky and smile approvingly. I say to Mr. Toad from Song, By Toad that I think if Nico were alive and well in 2007 and she'd be seeking out Electrelane as her backing band. He points out, not unreasonably, that they are doing pretty well without her. And the soon to be Mrs. 17 Seconds is suitably impressed too.

Before Camera Obscura, before Sons and Daughters, Belle and Sebastian - heck, even before my beloved Delgados, there was The Pastels. Legends on the scottish indie scene - in fact, indie legnds full stop, the expectation tonight is high. Unfortunately, much as I want to be blown away by this legendary band, who I love on record, they have horrendous sound problems. They are joined by Japanese band The Tennis Coats, whose contributions add a nice touch that reminds me a bit of Durutti Column, but Stephen Pastel seems like a rabbit caught in the headlights. It's a measure of how highly The Pastels are regarded that the crowd patiently waits, but his discomfort is obvious. I hoep there's another time, because I want, so badly, to
love them live as much as I do when I hear their music on their stereo. Another time? Please??

For another, perhaps more positive review of this gig, visit Song, By Toad. See if you can spot the reference to the soon to be Mrs. 17 Seconds...and hear some great stuff by the bands from the last two nights' worth of gigs.

Saturday, April 28, 2007

Gig review: Micah P.Hinson/Califone/Grant Campbell




Gig review: Micah P.Hinson/Califone/Grant Campbell

Edinburgh Cabaret Voltaire, April 28, 2007

Never judge a book by it's cover. Or assume that if someone looks like a quietish sort of person when they amble onstage, that that is how they will sound. Mical Paul Hinson is one of many human beings who exist to confound our expectations, and this world is all the more rewarding for people like him in it.

First of all, an apology to Grant Campbell, whose set the soon to be Mrs. 17 Seconds and I missed much of because we were still eating over the road. Another person who can defy expectations, he speaks with a deep scottish accent, yet sings like a man from the American heartlands...and pulls it off. Also, and having watched many people struggle to do this as support acts, even though it's just him and his acoustic guitar, he holds the audience. I'd not heard a note of his music before tonight, but I would like to.

Califone fans may be better advised to check Song, By Toad if they want a positive review of this band. This American two-piece do an interesting line in Americana drone-type music, or at least for the first couple of songs. However, it starts to pale into one. This is not helped by the crowd that start talking louder and louder (note to such people: Without wishing to sound precious, please don't talk through gigs. They may not be religious services but they are not extended sitting rooms for the chattering classes. Oh, and while I'm on the subject, Glaswegians who throw beer: if I catch you, I won't be responsible for my actions...). I can see the soon to be Mrs. 17 Seconds' eyes start to glaze over, and she is not alone.

Micah P. Hinson comes on stage supported by a rhythm section, a fellow Texan on bass and banjo and a Mancunian drummer who introduces as Nipples (possibly not his real name). Where Hinson defies expectations is that for a man younger than I, his voice his not only a deep Texan drawl, but also sounds like a man who is twice his age and lived many lifetimes. He later alludes to music being the only thing he can do well.

But boy, does he do it well. Hinson's songs may sometimes be just a handful of chords, but whilst he plays with the passion of, say early Ramones and the artistic intensity of Sonic Youth, the sound produced is Americana at it's most beautiful. There isn't the room to dance in a packed Cab Volt, but when the banjo kicks in, I want to throw caution to the wind and have a knees-up, dancing the hoe-down. 'Diggin' a grave' is a highlight for me. He also throws in a cover of Richard Hawley's 'Hotel Room'. He doesn't introduce it, but there are shouts of recognition. He later gets lost during a cover of Leonard Cohen's Suzanne - about two lines in, but the room is overflowing with goodwill for him, and it doesn't matter.

I'm not an authority on Micah P. Hinson, and the soon to be Mrs. 17 Seconds had never heard him before, but the high we leave on convinces us we want to hear more. Mr. Toad was also raving about the show. Hinsopn may worry about the mistakes he has made, but tonight we will forgive him anything, and it would seem he has found his true calling.

Thursday, April 26, 2007

It feels like summer




...even in Scotland. The constant discussion of elections is in the air, as well as the weather being lovely.

So here are three tracks: one that feels summery, one that feels political, and one that it both.

Gorky's Zygotic Mynci-'Spanish Dance Troupe.' mp

The Soft Boys -'I Want To Destroy You.' mp3

The Gossip -'Standing In the Way Of Control.' mp3

As always, support the artists involved - and enjoy the sunshine.

Wednesday, April 25, 2007

My Electric Love Affair



I have been meaning to post on this Edinburgh band for some time...

Whilst I have to confess to never have seen them, they have done a couple of singles and hear great things about the live gigs.

My Electric Love Affair -'Blow Me Down 2.' mp3

My Electric Love Affair -'Blow Me Down live.' mp3

My Electric Love Affair -'Rodney Relax.' mp3

If you like this, there is another track over at their mySpace page

Enjoy. And let me know what you think!